The 9th entry into the Mutant saga has hit the big screen recently, but in a year that looks to be dominated by super hero’s how will X-Men: Apocalypse …..
One decade after the events of X-Men: Days of Future Past, humanity remains divided on whether mutants are a threat – though, some progress has been made. Fortunate mutants flourish in safe-havens (such as Xavier’s School for Gifted Youngsters) but some people and parts of the world are less accepting – selling mutants into slavery, exiling adolescent mutants who struggle to control their abilities, and even (forcefully) experimenting on mutants who are, for one reason or another, useful in furthering scientific research as well as military operations.
After the public take down of Magneto in 1973, Charles Xavier and Mystique both continue their quest, separately, to make the world a safer place for mutants – but whereas Charles achieves his dream of building a school for mutants, it is Mystique that becomes a mythic hero for powered people around the globe – as she frees oppressed mutants and dismantles anti-mutant movements from the shadows.
However, when an ancient power reemerges after several millennia, enlisting the help of powerful mutants for the purpose of freeing mutantkind from the shackles of humanity, Mystique and Charles must join forces one last time – as well as rely on a new generation of young heroes to save the world.
The story picks-up long-running series threads (prejudice and segregation) as well as finds some intriguing juxtapositions (especially the competing ideologies of Charles, Mystique, Magneto, and Apocalypse), making it a strong chapter in Singer’s X-Men filmography, a worthy bookend to the core First Class prequel saga, as well as a strong jumping off point for the next film to build-off – complete with new, younger, actors in iconic X-Men roles. Out of every live-action X-Men film to date,Apocalypse prepares the way for a “classic” live-action adaptation of the mutant hero team (after Days of Future Past swept the slate clean); though, honoring the legacy of Fox’s original trilogy, juggling the First Class soft-reboot and timeline altering story in Days of Future Past, while also preparing to carry the franchise into future installments proves to be a tough balancing in Apocalypse – especially when trying to also present a satisfying standalone entry starring one of the X-Men’s most powerful and most iconic villains.
As a result, the mutant forefather functions more as a counter-point to the various beliefs of main X-Men heroes, rather than a particularly layered character himself – which is all the more disappointing given that award-winner Oscar Isaac is buried under purple makeup (preventing the talented actor from conveying anything but flat “evil” in Apocalypse as a character). A dull plan and narrow emotional range might be forgivable if Apocalypse set the stage for groundbreaking superhero battles but, in spite of an origin story that would allow the baddie to utilize a variety of cool mutant abilities, Apocalypse is merely a hard-to-kill but slow-moving bullet-sponge.
Magneto gets the most development and Apocalypse serves as a solid bookend, or at the very least pivot point, for the story of Erik Lehnsherr that was started in First Class. To that end, the new film gives Fassbender a chance to re-humanize Lehnsherr, after his comparatively singularly focused motivations in Days of Future Past – even if Apocalypse’s grand scheme overshadows the Master of Magnet’s personal drama. The same can be said for Alexandra Shipp’s take on Ororo Munroe (aka Storm) – planting some intriguing seeds for future installments (even if her role in Apocalypse is relatively thin).
The Quicksilver scene is indicative of the biggest problem with X-Men: Apocalypse and it is a problem that will, without question, divide viewers. Apocalypse is a rewarding piece of fan-service for moviegoers who have experience with the franchise (across various mediums) but, as a result, will also alienate viewers who just want to see a fun superhero movie. Countless hints at what is to come in future installments, in addition to cameos ripped right off of the comic book page, will excite fans but, conversely, will be almost entirely lost on most casual filmgoers (while at the same time convoluting the core Apocalypse storyline). Similarly, action in Apocalypse may actually be a step backward – after the incredibly choreographed fights in Days of Future Past. Apocalypse opens strong with a slick mutant battle but never quite recaptures the same momentum – ultimately serving enjoyable (but not particularly original or exciting) mutant action.
At its core, there’s actually a very tidy story of mutant power, evolution, and responsibility in X-Men: Apocalypse but Singer also indulges in his love for the characters and franchise by packing in sequel setup, references, and action set-pieces that will confuse rather than stimulate certain viewers. AfterFirst Class and Days of Future Past brought new fans to the X-Men film series, it’s understandable that Singer would want to follow-up with an even bigger sequel – but in doing so, X-Men: Apocalypseis often hollow where it should be the most impactful and muffled where it should be the most exciting. Nevertheless, fans will relish in this new X-Men film – as well as salivate over the table that Singer is setting for future sequels.
so out of a possible five stars X-Men: Apocalypse earns:
what did you think of this film?
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